Additionally, he makes use of every camera movement that is possible given the desired effect. He adds realism and an engaged audience in action by combining tracking shots with a hand-hold camera. By using zoom, he creates close-up shots to show facial expressions (Bell, 2012) In my project I will certainly use the medium close-up during interviews, which is characteristic of news programs, and zoom camera movement to show the characters' emotions.
Another, and perhaps the most important, element of the film is its editing. Moore used his original recordings, such as interviews, as well as many footage films, e.g. from the cartoon South Park or drastic scenes full of violence and even recordings of murders and suicides, as well as crime victims. In this way, he wanted to add drama to his work and make it have a stronger impact on the audience.He also used contrast and hyperbole to show the hypocrisy of government, while also using humor, irony and sarcasm to talk about serious issues. The film editing methods he used inspired me to also add humorous elements to my project and combine my own recordings with stock footage.
South Park By Trey Parker, Matt Stone
Last but not least, Moore used audio codes, which complement the message and help create the atmosphere across various sections of the film. He used both diegetic and non-diegetic sounds such as dialogues, sound effects, music and voice-overs. Depending on the need, he used music to create the right atmosphere, using hits such as "What a Wonderful World". Moore used this song ironically by contrasting its positive lyrics with drastic scenes full of violence to create a very strong visual message influencing the audience. Following in his steps, I would like to include music in my short film, which undoubtedly helps me connect with the audience.
References
Moore, M. (2023). About - Michael Moore. [online] www.michaelmoore.com. Available at: https://www.michaelmoore.com/about [Accessed 5 Nov. 2023].
Bell, C. ( 2012) WJEC AS Media Studies. Cheltenham: Illuminate PublishingOrdoñez-Jasis, R. and Jasis, P. (2003). ‘Bowling for Columbine’: Critically Interrogating the Industry of Fear. Social Justice, [online] 30(3 (93)), pp.127–133. Available at: https://www.jstor.org/stable/29768213?saml_data=eyJzYW1sVG9rZW4iOiIzMzY2MGRkYi0yM2ZmLTRmMWYtYmFmZi05ZDE2ZmU4MTIwNjYiLCJpbnN0aXR1dGlvbklkcyI6WyJjOTYyNmYwNS1lNGU3LTQxNzktYTIzNS00OTFlYjAyNzcwNjUiXX0&seq=1 [Accessed 13 Nov. 2023].
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